Call for Papers
Ekphrasis. Images, Cinema, Theory, Media Vol. 32, issue 2/2024
Artificial Intelligence and the Politics of Imagination
The increasing (and unavoidable presence and effect) of technologies and artificial intelligence in our current understandings of art, reading literature and culture, and the interpretation of visual representations, has generated some of the liveliest debates in recent years. Many discussions have been around and pertaining to what defines the human and the act of creation in the context of AI.
From studies on networks and algorithms (including the ingrained forms of racism of such mechanisms in the works of Safiya Umoja Noble), to forms and properties of after-culture (David Joselit, Ben Davies) and digital (mis)formulations of reality (Hal Foster, Hito Steyerl), the field has been reshaped and re-edited around several acute contemporary problems: the emergence of artificial intelligence, the demise of theory and the violent attacks on critique, the fascination for (wished-for) scientific methods of dealing with artistic and literary objects, the institutionalization of cancel culture etc.
It is perhaps high time to revisit and analyze, in such contexts and amidst such transformations, the viability of the good old concept of imagination and its relationship to/ with artificial intelligence.
We invite contributors to this special issue of Ekphrasis who wish to examine issues related to the articulation of at least (but not limited to) three main questions around the relationship between imagination and artificial intelligence.
References:
Ariella Aïsha Azoulay, Potential History. Unlearning Imperialism. Verso, 2019
Tina M Campt, Listening to Images. Duke University Press, 2017
Ben Davis, Art in the After-Culture. Capitalist Culture and Cultural Strategy. Haymarket Books, 2022
Hal Foster, What Comes after Farce? Art and Criticism at a Time of Debacle. Verso, 2020
David Joselit, Art’s Properties. Princeton University Press, 2023
Hito Steyerl, Duty Free Art: Art in the Age of Planetary Civil War. Verso, 2017
Robert T Tally Jr, For a Ruthless Critique of All that Exists, Zero Books, 2022
Safiya Umoja Noble, Algorithms of Oppression. How Search Engines Reinforce Racism. New York University Press, 2018
Guidelines:
We are welcoming proposals for papers from all theoretical approaches and also from practice-based researchers or artists.
Deadline proposals (150-200 words): 15 May 2024
Acceptance notice: 1 June 2024
Final submission deadline: (5,000-9,000 words for articles, including a 300 word abstract, 5-7 keywords, and a list of references; for book reviews 2,000-3,000 words): 1 September 2024.
Issue editor: Horea Poenar
emails: doru.pop@ubbcluj.ro; hflpoe@gmail.com
website: https://www.ekphrasisjournal.ro/
Note to authors: Both the proposal and the final text should observe the submission guidelines to be found on our website: https://www.ekphrasisjournal.ro/index.php?p=subm and the recommended MLA citation style.
The articles should be original material not published in any other media before.
Ekphrasis is a peer-reviewed academic journal, edited by the Faculty of Theatre and Television, “Babes-Bolyai” University, Cluj-Napoca, Romania. Ekphrasis is indexed in Emerging Sources Citation Index (Clarivate Analytics), SCOPUS, ERIH PLUS, EBSCO, NSD, and CEEOL.