Quelques mots d’introduction. L’aventure sans fin des synesthésies Ioan POP-CURŞEU |
Synesthésies au cinéma ou l’expression d’une poétique Marion POIRSON-DECHONNE Abstract: Before cinema, theoreticians have established a relationship between the notes of the scale and colors, based on the idea of vibration. Kandinsky questioned the relationship between arts and used the principle of synesthesia. But films that were inspired by painting have also rais... Read More Keywords: synesthesia, vibration, poetic, symbolic prostheses, painting, reality effect, cinema, haptic vision, distance vision, poetry, figural |
Le Cinéma comme expérience du monde sensible: Sombre de Philippe Grandrieux Rosine BÉNARD Abstract: How can a director summon up the five senses of the audience through the film medium? How can a visual (and sound) art make affects tangible? An analysis of Sombre by Philip Grandrieux in the light of Deleuzian theories may help us to propound some answers to these questi... Read More Keywords: Philippe Grandrieux, Deleuze, cinema, five senses, haptic, return |
La Vision haptique cruelle, cruauté et sensualité dans Trouble Every Day de Claire Denis Florence ROUIF Abstract: This article about cruel haptic vision in the cinema will discuss film language, its text, even its texture, where tactility is difficult to transmit in a filmic text. Trouble Every Day (2001), as medium for these transmissions, addresses itself to the spectator’s senses... Read More Keywords: haptic vision, cinema, cruelty, sensuality, Claire Denis, Trouble Every Day |
Alain Cavalier, un cinéma de la sensibilité Yannick LEMARIÉ Abstract: Alain Cavalier is one of the most important French moviemakers. He began his career with committed movies (Le Combat dans l’île, L’Insoumis) in accordance with the rules of the “image-mouvement” as Deleuze analyzed them. He then changed his way in... Read More Keywords: Emanuele Coccia, Giorgio Agamben, Bernard Stiegler, bulimia, sensitive, sensibility, withdrawal, hearing-contact, touch |
What’s Eating the Romanian “New Wave”? Doru POP Abstract: Without trying to identify a sub-genre in the Romanian contemporary cinema and without searching for the so called “cooking films”, this paper is analyzing the usage of food and eating in the “new wave” films of the Romanian cinema. Treating food and food consum... Read More Keywords: Romanian cinema, food, eating, taste, sensation, spectator, synesthesia |
Films et parfums ou quelques réflexions sur les synesthésies cinématographiques Ioan POP-CURŞEU Abstract: This paper shows the synesthetic possibilities of cinema, focusing on the manner in which olfactory sensations are rendered by moving visual images. Some techniques are identified and described: the verbal discourse (common to literature and cinema), the showing of scented substan... Read More Keywords: synesthesia, cinema, olfaction, perfume |
«Tout chante» ou l’entrelacement des sensations dans Le Désert rouge de Michelangelo Antonioni Véronique BUYER Abstract: I analyze Michelangelo Antonioni’s Red Desert through the main character’s way of perceiving the world. Giuliana is depressed and this particular state changes her relations to the world: her senses are overdeveloped and she has trouble understanding the complex inform... Read More Keywords: Michelangelo Antonioni, Red Desert, colours, painting, senses, synesthesia, Paul Cézanne, attentive perception, hypersensitivity, hallucinations |
Elena TYUSHOVA Abstract: I establish my study on basically two theorists of Fassbinder’s aesthetics, the analysis of the kitsch in Fassbinder’s films by Françoise Dahringer and the articles on painting and music in his films by Vivien Villani. Then I take the idea of Abraham Moles, that Kits... Read More Keywords: kitsch, “the art of happiness”, Rainer Werner Fassbinder, painting, opera, melodrama, theatre, sculpture, alienation, violence |
Till R. KUHNLE Abstract: For Schopenhauer, the opposite of the sublime is the “charming and attractive” (das Reizende – in the translation of R. B. Haldane and J. Kemp). Objects of art – especially paintings and sculptures – should never excite the appetite for the things... Read More Keywords: synesthesia, taste, anti-aisthesis, disgust, painting |
L’Hybridité des genres artistiques: une Gesamtkunstwerk à l’aube du XXIème siècle Marie-Laure DELAPORTE Abstract: The notion of synesthesia in the contemporary artistic practices has its echoes in the work called multidisciplinary or even multimedia. In fact, the evolution of these practices often tends to show a will of unifying the arts and to get close to the Wagnerian concept of Gesamtkun... Read More Keywords: film, video, installation, opera, total work of art, multidisciplinary |
The Spurious Case of Synesthesia in the Popular Arts Raluca MĂRGINAŞ Abstract: Whether we talk about genuine “synesthesia” in the context of scientific research or just exploring general realms of perception, it still remains a fascinating phenomenon. This article focuses on works that unify the senses, drawing a somewhat historical sketch, a com... Read More Keywords: synesthetic experience, popular art, rigid conceptions, medium |
Le Théâtre de Claude Régy, expérience synesthésique et érotisme d’un corps à l’état de brume Elise Van HAESEBROECK Abstract: Questioned about the theater play God’s Mist, Jean-Claude Ameisen, researcher in cellular biology, describes Claude Régy as “a synesthetic director”. The object of this paper will be to show that in God’s Mist, the last creation of the d... Read More Keywords: contemporary theater, hologrammic theater, synesthetic staging, eroticism, skiagraphia, Claude Régy, Tarjei Vesaas, Salladhyn Khatir, Rémi Godfroy |
Les Synesthésies dans les cubomanies et l’écriture poétique de Gherasim Luca Charlène CLONTS Abstract: Gherasim Luca’s work as a poet and as an artist was greatly influenced by Victor Brauner and Ilarie Voronca’s theories. His work was displayed to the viewer in the exhibition “Présentation de graphies colorées de cubomanies et d’objets”, that... Read More Keywords: Gherasim Luca, cubomanie, synesthesia, french contemporary poetry, romanian artist, mixture of genres and fields |
Donner à sentir, à toucher et à entendre. René Char et la peinture de Wifredo Lam Martine CRÉAC’H Abstract: The word “synesthesia” was largely employed to designate the re-foundation of the relationship between music and painting, especially by the current of symbolism, in order to overcome “the lack of a common principle, available in the earlier paradigm through the ... Read More Keywords: René Char, André Breton, Georges Duthuit, Wifredo Lam, Tristan Tzara, visual arts, surrealism, non-occidental art, non-hermeneutics |
Claudiu TURCUŞ Abstract: This essay analyzes the innovative way in which Norman Manea redimensions the categories of Proustianism (involuntary memory, stream of consciousness) and begins with the investigation of a few representative short stories from the well-known volume October, Eight O’Clock. The close-... Read More Keywords: Norman Manea, proustianism, synesthesia, trauma, stream of memory |
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